The problem with Handwritten is that it seems just a little bit phony, which is probably worse than being bad, because Fallon has a lot invested in the "honesty" of his music. (In "Too Much Blood," he worries that he's actually being too honest, because that's the kind of man we're dealing with here.) When Fallon sings, yet again, about feeling big feelings while flippin' around the radio dial, like he does in "Mae" and the zippy title track, it fails the bullshit test. Sorry, dude, but you grew up during one of the worst eras for rock radio ever. There's no way you romanced Mary or Betty back in the late '90s to the dulcet sounds of Mudvayne. It's more likely you fell in love with Mackenzie or Taylor while downloading a torrent of Rancid albums.
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